Detective Lottie Parker #2
I received this book in exchange for an honest review.
SYNOPSIS: The young woman standing on Lottie’s step was a stranger. She was clutching the hand of a young boy. ‘Help me,’ she said to Lottie. ‘Please help me.’
One Monday morning, the body of a young pregnant woman is found. The same day, a mother and her son visit the house of Detective Lottie Parker, begging for help to find a lost friend.
Could this be the same girl?
When a second victim is discovered by the same man, with the murder bearing all the same hallmarks as the first, Lottie needs to work fast to discover how else the two were linked. Then two more girls go missing.
Detective Lottie Parker is a woman on the edge, haunted by her tragic past and struggling to keep her family together through difficult times. Can she fight her own demons and catch the killer before he claims another victim? – via Goodreads
I decided to give this one a shot because the synopsis seemed alright, and people were comparing this to the work of Karin Slaughter, so naturally I was sold. Unfortunately for me, this is not the same genius as Slaughter, and I had a myriad of issues with the book. Some things I liked, but for the most part, I was not pleased.
To start, I figured out pretty quickly after starting this that this was the second book in a series, which sucks because I don’t like reading things out of sequence. It was obvious, too, because the author continually referred to things that obviously happened in the last book, and it felt like I was missing something major because I had not read it, which sucked. I prefer a book in a series to be okay on its own, even if you miss some things, but to feel like you have been chucked into the middle of the ocean is not cool.
I was not a fan of one single character in this book. Not our main protagonist Lottie Parker (I just think she’s a terrible mother and an all round bitch), and the supporting characters were not endearing, either. I just want to take another moment to talk about Lottie. She is really terrible – she knows her kids are going through stuff, and she is just absent. Completely, totally absent. I also found her extremely selfish and I didn’t like the way she treated other people. Not cool. I found most of the characters to be whiny. I was initially drawn into the writing style, because it came across as solid, but the longer I read, the more dawdling and long-winded it became, going around in circles and never really getting to a point. The plot also tried to be so much more in depth and complex than it ultimately was, so it came across as really convoluted.
I enjoyed the concept of the book, I did. I also liked reading about the young boy who fled the extreme horrors or his past, who survived, and who underwent even more harsh things at the hands of terrible people. I could have done with more of that and less rape scenes. Also, setting up this monster stalking these girls was something, but never really got to anything super scary because Gibney almost had too many bad people in this novel, so they ultimately all ran together and had no distinguishing features. There were way too many coincidences in this book to make the plot plausible, too.
I have to give Gibney credit for the grittiness of the book. She did not shy away from some heinous things (maybe that’s why this got the Slaughter comparison). I know it sounds rough, but when an author is ballsy about that stuff, I have got to respect it. You want to tell a story about human trafficking and the sex trade? You are going to have to get into some icky areas.
Anyway, The Stolen Girls is not the worst thing you could read, but it is convoluted, filled to the brim with unlikable characters, and is an excruciatingly long read that happens to have an interesting plot that is just drowned by all the issues presented throughout the book. I don’t know if I will be in a hurry to read anything else from Gibney, despite the fact that she is not afraid to go to the nasty places for her story, a book that is icky and gory does not mean it is a good read if it cannot substantiate the nastiness with a solid story.