Review: Us (2019)

“Once upon a time, there was a girl and the girl had a shadow. The two were connected, tethered together.”
 – Red

SYNOPSIS: A family’s serene beach vacation turns to chaos when their doppelgängers appear and begin to terrorize them. – via IMDB

I tried to read as little on this as possible prior to seeing it because I really love going into movies blind sometimes, just go with the flow. I am glad I did for this one, because I didn’t have any actual concept about what we were about to watch, and it was a weird one to watch unfold. I was interested to see where Jordan Peele would go after Get Out.

I don’t want to say too much because of spoilers and such. Tonally, the movie is a little all over the show. There is a lot of confusion, and there is a section before we get into the third act that just feels like the movie was falling apart – the creepy factor was gone, and nothing was happening, but no explanations were given up, and you don’t really get involved with these people. Because they are just people who turned up in a house and suddenly had doppelgängers chasing them, you don’t root for them more than you would the average horror movie character.

Anyway, just as you think that is going on, the third act brings the movie right back up, and I really liked how it all came together. While watching Us, you cannot shake this unsettling feeling that it brings on you, and it lingers after. The score worked hand in hand with this to leave you disconcerted. The performances were quite good, Lupita Nyong’o nailing her role, and delivering a solid performance for a seriously strange story.

In places, Us is nothing unique, but on the other hand, it is a different beast altogether. I thought the story was refreshing, but there were places where the movie was let down due to pacing and is certainly uneven at tomes, and the humour also didn’t work for me (sparingly used, but comes across as unnatural). Overall, I thought it was well worth a trip to the cinema. I can’t say much about a lot of things, because I hate spoilers, but so far I have enjoyed Peele’s work, and I am interested to see where he goes next.

Beware, the trailer is pretty much the whole movie bar the twist :/

Rapid Review: Inglourious Basterds (2009)

Inglourious Basterds Poster

“You probably heard we ain’t in the prisoner-takin’ business; we in the killin’ Nazi business. And cousin, business is a-boomin’.” – Lieutenant Aldo Raine

SYNOPSIS: In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner’s vengeful plans for the same. – via IMDB

inglourious basterds i speak the best italian inglourious basterds bawnjorno

GRADE 10I re-reviewed this because I love it so much, and have learned that I am allowed to give certain things top marks. Inglourious Basterds is simply amazing. Tarantino consistently blows me away with his stories and the execution of them. The cast was excellent, and their roles were very well suited. Christoph Waltz does not cease to stun me, he is so brilliant. He was such a horrendously scary character in this movie, and he gave me the chills because he is pure evil, yet he has proven in Django Unchained that he will not be typecast. Brad Pitt was having an absolute blast from the get go, and it is so obvious. Mélanie Laurent is so badass, and her character of Shosanna Dreyfus? Man, Tarantino can create a strong woman, and we definitely need more of that in cinema. Okay, I am not going to wax lyrical about each and every actor/actress in the film, just know that they were all excellent. What makes Inglourious Basterds so fantastic for me is that they actually spoke French and German, and when they spoke English the relevant accent applied to it. Valkyie could have taken a leaf out of Quentin Tarantino’s book, hem hem. It is pretty damned important to me that if you are doing a movie on any culture/society, you have to at least get the accents right (or try, at the very least)! The story was highly entertaining, and the cinematography was gorgeous. The dialogue was quick, snappy and sharp, and just great to listen to overall (bawnjorno, bestie). Some of those conversations! Goodness, the tension that was built from that! Not to mention how wonderfully the movie was set out and paced, giving you a look at everything, but not rushing a thing. Inglourious Basterds is a long film, but it never actually feels that way, although I feel that is a typical Tarantino trait, to write something that is engaging from the off. I am a big fan of Hugo Stiglitz, he made me laugh endlessly – he was so badass and hardcore and just balls to the wall crazy. Definitely my favourite Basterd, alongside Aldo. The humour is so snappy in here, and very dark, so it just works all round. I wish I knew how to describe how much I enjoy this movie, but words fail me, so I will stop rambling now. This movie is so well executed, and something that I make a point of watching rather frequently, it really is an absolute favourite of mine from Tarantino, who again proves his ingenuity with a fantastical take on an old topic.