“What were my words? What did I say? I said leave me alone.” – Jason Bourne
SYNOPSIS: When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive. – via IMDB
Sequel time! The Bourne movies are some of the few movies that remain excellent… well, the original Damon trilogy at any rate. The Bourne Supremacy continues that line of brilliance of its predecessor. Opens to show us the sweet little life Marie and Jason have built together on the run, and when that is snatched away from them, it is genuinely a bitter experience. From there, things just escalate. The plot was another solid one, and the performances all round were excellent. Karl Urban was an enjoyable enemy to stand opposite Jason, and they could really go each other. We see more about Jason Bourne, the man that he was, the man that he has become, and how he desperately wants nothing more to do with the US Government, but apparently they are not done with him. The film takes its time to pace itself, which is something I have always appreciated about these films, and Bourne is just such an amazing character. I love how dark and brooding and incredibly smart he is, it works on so many levels. Also, his jackets in this movie… wow. Let me just have my fetish moment. Matt Damon was, of course, in fine form here, reminding me as always why Bourne is one of my favourite Damon roles. I thought Landy was a great pick to hunt Bourne, she was totally different from Conklin but it worked, definitely not a bad thing. I thought the movie was shot well, though at times I felt that the shaky cam effect was overused, as instead of pulling you into the action, it just gives you a headache and a dizzy spell. I don’t actually have any complaints here, the movie is gripping, thrilling, smart and entertaining with fantastic choreography – everything you’d expect from a Bourne film.
“You’re U.S. Government property. You’re a malfunctioning $30 million weapon. You’re a total goddamn catastrophe, and by God, if it kills me, you’re going to tell me how this happened.” – Conklin
SYNOPSIS: A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and regain his memory. – via IMDB
I love Jason Bourne. Seriously. I love these movies. I have always enjoyed them. Plus, Matt Damon. Because Matt Damon is amazing. But really, I wish I could express how exciting and brilliant I find these movies. Okay, okay, let’s move on to the movie itself. The Bourne Identity is one of those action movies that ticks all the boxes for me. It is smart, has a really good story, has a solid cast carrying it all, is directed well, looks fantastic and has brilliant choreography. The pacing is something I liked. No rush here, so sirree, it starts with Bourne in the ocean, shot, fished out, almost dead, and as Bourne learns about himself, so does the audience, and that is a fun thing. There is no rush, and when the action kicks in, you get swept up in this intense mystery of who the hell Jason Bourne is, and what he was before the amnesia kicked in. Matt Damon is just brilliant here. He delivers us Bourne and he nails it – the emotions are down, you identify with Jason and root for him, even though you know nothing about him at all, it doesn’t matter. Hell, even when you learn he was a super spy assassin, that doesn’t matter. Bourne is layered, and his blank-slate introduction made him someone you could identify with in a hurry, so they didn’t have to tell you too much. But you uncovered more and more about him and find ways to slot the new information in on the man you have discovered him to be without his memory. The story is also pretty sharp, definitely a solid spy-thriller and it doesn’t get old, either. The camera work is also something to be admired, something that transports you right into the events that are unfolding before your very eyes. The Bourne Identity is a solid movie, with a gritty, realistic hero, something I would highly recommend spending some time watching, as it is well worth it!
“Sometimes you’re flush and sometimes you’re bust, and when you’re up, it’s never as good as it seems, and when you’re down, you never think you’ll be up again, but life goes on.” – Fred Jung
George Jung (Johnny Depp) refuses to be poor like his parents after they lost everything when he was younger, and does everything he can to not be that way. His father, Fred (Ray Liotta), tries to teach him that there is more to life than money. George moves to California with his best friend Tuna (Ethan Suplee). Everything that side is completely different, and a new world lies at their fingertips. George meets his girlfriend Barbara Buckley (Franka Potente), an airline stewardess, and soon they are on a new mission. Tuna comes home with the idea of selling weed in California, but brings a really terrible quality one back with him to start with. Barbara introduces to boys to Derek Foreal (Paul Reubens), the main dealer their side.
“I think it’s fair to say you underestimated the market, Derek.” – George Jung
Together they make a lot of money, but it is not enough George. An old friend from Boston named Kevin Dulli (Max Perlich) runs into George and Tuna in California, and tells them that they could make a fortune with their weed back home. George is struck by an idea and gets Derek on board with having dope flown into Boston through Barbara. Soon, however, the demand outstrips the supply, and alternative means of getting weed need to be thought of. George goes to Mexico, and brokers a deal with a pot farmer there for a lot more supply. George is bust in Chicago with a lot of marijuana, and gets two years. He skips out on his jail sentence when he learns that Barbara is dying of cancer. Returning home after Barbara’s death, his mother Ermine (Rachel Griffiths) has him arrested, and he is sentenced.
“Danbury wasn’t a prison, it was a crime school. I went in with a Bachelor of Marijuana, came out with a Doctorate of Cocaine.” – George Jung
In prison, he befriends his cellmate, Diego Delgado (Jordi Molla), who inaugurates him into the cocaine business. They meet up with cartel officer Cesar Rosa and negotiate a way to smuggle fifteen kilos of cocaine around as a sign of good faith. Though he is violating parole, George gets away with it. Diego is arrested again for something, and requests that George collect some cocaine he left with a friend. After being threatened, George needs to move fifty kilos of coke and soon, and brings in Derek from California. The two sell the fifty kilos in record time. Pleased with his skills, Columbian drug lord Pablo Emilio “El Patrón” Escobar Gaviria (Cliff Curtis) flies George and a now free Diege to Medellin, Columbia, where they are proposed a business deal. Together they become the top US importers, though Diego has no clue as to Derek’s identity, which causes friction between the partners. At Diego’s wedding, George meets his future wife Mirtha (Penélope Cruz). He now has the Columbian wife and partner.
“So, you’re the man, huh? Who takes fifty kilos and make them disappear in one day.” – Pablo Escobar
However, Diego betrays George and cuts him out, stealing Derek as his contact after a lot of pressure forced George to reveal his source. Immensely rich, George leaves the game to concentrate on his pregnant wife, and embraces fatherhood wholeheartedly when his daughter, Kristina Sunshine Jung (Emma Roberts), comes along. George’s life is quiet, though his marriage with Mirtha is empty. Mirtha organizes a huge birthday party which gets raided by the FBI, and George is once again arrested. He agrees to take the fall so long as hi family is safe. Intent on getting his money in Panama, he finds out that his bank account has been seized and that he is broke. Suddenly, he and Mirtha have the same marriage his parents had, where his father was trying and his mother was always complaining. Mirtha has George arrested again when he tries to make some money for the family by moving cocaine again.
George’s life is falling apart and his daughter despises him. During his incarceration, Mirtha divorces him. He has nothing waiting for him on the outside. What will George do when he gets out? How will he make his money? Will he be able to salvage his relationship with his daughter that is founded upon a million broken promises? Will George be out of the game for good? Will he find a way to fix the issues between himself and his mother, even if just for the sake of his father?
A 7/10 for Blow. Johnny Depp delivered a simply stunning portrayal of George Jung. The movie had an interesting layout, and is fantastic if you don’t try to tie the personal things back too closely to the events that went down. It is highly entertaining, though I must say Penélope Cruz irritated me no end. She was simply dreadful to watch, and work on each and every remaining nerve that I have. She was not good to listen to, and brought nothing to the table. Ray Liotta was excellent, though Rachel Griffiths was also dreadful – not as an actress or her portrayal, but her character. What a horrible person! I must give the film credit for having a fantastic soundtrack, I enjoyed it. George Jung seems to be a little egocentric, though Johnny Depp almost tried to give him more depth. He was not really a dangerous criminal, but his ambition did outstrip his talents. He was not what you could call the best dad, leaving a trail of broken promises and mistrust galore in his wake; it is little wonder his daughter was hurt so badly. However, I do not think that Mirtha was a really good alternative to have as the primary parent – she was mad. I thought the history of how cocaine spread through the States was incredibly impressive. The planning and execution was no small feat, and people were on a roll, but as always, greed will prevail. The one thing that defines this movie to me is truly Depp’s performance – he is an amazing actor. I wish he would do more dramas again as opposed to just the cuckoo characters (not that he doesn’t play them to the tee, but he is far more talented than just that). There were some crazy situations and incidences that you came into contact with in this film, and the story in incredible. There were flaws to this film, but overall it was solid, well put together and a good watch, though from what I read, they seriously skewed the viewers’ perception on who and what George Jung is. Worth the watch though, even though Cruz is an absolute disaster. She really detracted from the story for me.
Sequel time! The Bourne movies are some of the few movies that remain excellent… well, the original Damon trilogy at any rate. The Bourne Supremacy continues that line of brilliance of its predecessor. Opens to show us the sweet little life Marie and Jason have built together on the run, and when that is snatched away from them, it is genuinely a bitter experience. From there, things just escalate. The plot was another solid one, and the performances all round were excellent. Karl Urban was an enjoyable enemy to stand opposite Jason, and they could really go each other. We see more about Jason Bourne, the man that he was, the man that he has become, and how he desperately wants nothing more to do with the US Government, but apparently they are not done with him. The film takes its time to pace itself, which is something I have always appreciated about these films, and Bourne is just such an amazing character. I love how dark and brooding and incredibly smart he is, it works on so many levels. Also, his jackets in this movie… wow. Let me just have my fetish moment. Matt Damon was, of course, in fine form here, reminding me as always why Bourne is one of my favourite Damon roles. I thought Landy was a great pick to hunt Bourne, she was totally different from Conklin but it worked, definitely not a bad thing. I thought the movie was shot well, though at times I felt that the shaky cam effect was overused, as instead of pulling you into the action, it just gives you a headache and a dizzy spell. I don’t actually have any complaints here, the movie is gripping, thrilling, smart and entertaining with fantastic choreography – everything you’d expect from a Bourne film.
The Sporadic Chronicles 