SYNOPSIS: When professional house-sitter Lila Emerson witnesses a murder/suicide from her current apartment-sitting job, life as she knows it takes a dramatic turn. Suddenly, the woman with no permanent ties finds herself almost wishing for one. . . .
Artist Ashton Archer knows his brother isn’t capable of violence—against himself or others. He recruits Lila, the only eyewitness, to help him uncover what happened. Ash longs to paint her as intensely as he hungers to touch her. But their investigation draws them into a rarified circle where priceless antiques are bought, sold, gambled away, and stolen, where what you possess is who you are, and where what you desire becomes a deadly obsession. . . – via Goodreads
Psssssssh, let’s talk about The Collector. This is hands down one of the most forgettable books I have ever read. In my life. If you need further proof, Natasha (who has read damn near all of Nora Roberts’s work and remembers 99% of it) cannot for her life recall having read this, even though she freaking reviewed it! This has been a source of amusement for us for quite some time now.
Okay, now moving along from the best part of this book (which is having a real laugh with my bestie about how ridiculously forgettable this read is), there is nothing else to really redeem it. Seriously, it is not like you pick up a Roberts novel expecting a super thrill or to find the meaning of life, they are good for light entertainment, but this book is so lazy it is unforgivable. I promise you, the plot if beyond preposterous, the writing is just messy, let’s not forget the array of generic, bland characters crammed into the book, and ultimately a super lacklustre romance makes for a bland read. I think when I saw the title, I was thinking blood and guts and bone and gore. Probably because I read The Bone Collector shortly before this one, possibly also because I read too much icky stuff to think like an art collector Judge me, whatever.
Bland, and frustrating at times. My biggest frustration is, of course, Lila, our main peanut. For one, she is grating. Really. She just irritated me, and then there is Ash, who is just as frustrating, and when they get together, it is super trying on the soul. Consent, as always, is an issue here. He snaps his fingers, she must obey. He wants, he gets. Yap, yap, yap. The men are always such control freaks in Nora Roberts’s books, and it is not sexy. It also annoys me how the women are always “strong and independent” until a man rolls up and then suddenly she is a damsel. Something that really worked on my last nerve is that Ash has a troubled relationship with his father. That is between them. Instead, when his father is being a real piece of work and Ash has calmly decided it is up to his father to be nice or piss off, that nuisance Lila speaks up and condemns Ash for his decision. People that get all involved in family drama they know nothing about and judge harshly should just shut the fuck up. What do you even really know about the situation?
Another thing that made me cringe is Lila’s constant obsession with money. She was so vocal about it, and it was awkward. Like shut up! I don’t want to read about those things, because it came across as embarrassing/preachy, instead of a fact of the character. Argh. Also a pity how much Russian history could have been worked with here and been so much more thrilling, but it wasn’t. I suppose one thing to be happy about is that this luckily is not one of Roberts’s fuck fest novels, so there is that.
The Collector is a wasted affair, and so lacklustre and empty. It feels like a filler and reads like one, too. It also really, truly won’t stay with you after the fact, and the sloppy, generic writing is an awful flaw here. At least it is a quick read…