Review: Dunkirk (2017)

“Men my age dictate this war. Why should we be allowed to send our children to fight it?”
– Mr Dawson

SYNOPSIS: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II. – via IMDB

So I went to see this in IMAX when it came out (I know, taking my sweet time to churn out reviews, but we are only just starting to settle in). First IMAX in years, and the first experience ever for my husband, and it was well worth it. I have been waiting for this for quite some time, because Nolan in a cinematic master who can do no wrong in my eyes. I was so excited to see his take o a war movie, and I was rewarded, greatly so.

Dunkirk is visually stunning. Every scene is masterfully crafted, and looks amazing. The fact that more practical effects were used over CGI again shows that practical is the way to go. It gives a sense of realism. I also appreciated how young the soldiers were, because it accurately depicts that they were essentially kids, trapped on a beach waiting for help, a doomed hope by all accounts. The movie does not mess around in terms of making you feel the plight of these men, and it is a heavy ordeal, one you are wholly and totally sucked into visually and with some phenomenal scoring. The performances all round were impressive, and even Styles brought the goods to the table, something I was so suspect about after his casting was announced.

The movie has three divisions, beach, sea, air, and they all take place at different times, ultimately coming together to tie the story up, and I think that was crafted and handled very well. Tom Hardy again demonstrates that he can out-act the best of them with just his eyes, and Jack Lowden was excellent as Collins, his scene of being stuck in a sinking jet something that is haunting and gets under the skin, something that lingers. Cillian Murphy has one extremely damaged character, and your heart just breaks for him, no matter what happens. Branagh is stoic and crushed, and you feel for them.

I felt that the movie was a little distant though, and the coldness worked for it in places, and worked against it in others. The only real characters that brought some form of heart, something for you to attach to, was Mr Dawson, Peter, and George. Like really, that was sad. Not that the plight of the soldiers, trapped like helpless rats, was not bad. That gets to you, and is hopeless and claustrophobic. It is heavy, and it is scary, and the minimal dialogue runs home the bleak situation, and Hans Zimmer again delivers a most perfect score. It really takes the movie experience to a whole new level. It’s all painful, and it sticks, but all these stories don’t have any real backing. Now this works to show you that these guys could be anyone, absolutely anyone, but because you don’t ever really attach to them, invest in them, they are just desperate men trying to get home, and that is where there is also a drawback.

While Dunkirk was masterfully crafted, visually stunning, contained solid performances and had an absolutely brilliant score, I do feel that it was just a bit flat in the sense that you don’t connect with it like you would hope. It is well worth a watch, and as I said, masterfully crafted and definitely something worth tripping out to the cinema for.

March Blind Spot: True Romance (1993)

true romance poster

“You just said you love me, now if I say I love you and just throw caution to the wind and let the chips fall where they may and you’re lying to me I’m gonna fuckin’ die.”
– Clarence Worley

SYNOPSIS: A lonely pop culture fan falls in love with a call girl and accidentally takes drugs from her pimp. The two go on the run to Los Angeles to sell the drugs and live happily ever after. Only they don’t know that Sicilian mafia and LAPD are after the drugs. – via IMDB

true romance

GRADE 7.5Man, can’t believe it took me so long to watch this! I had a total blast. This movie is so… crazy… yes, that’s the word. It is littered with trademark Tarantino dialogue, so naturally it is awesome to listen to. Not only that, it is carried by an impressive cast, too, who all do a great job. Given that, I do feel that they were rather underused at the best of times. The score is something that stands out, too, because it is so quirky, but it fits with the movie completely. The story is just balls to the wall silly, yet you are engaged from the off, and I was super interested to see how this whirlwind relationship between Alabama and Clarence would work out. Let me tell you, I was not disappointed at all. The movie was entertaining and shot well, and carried by some solid performances. It wasn’t too long, either, just long enough to share the story with the audience, get you in, and not skip over too much, but never long enough to bore you. I really wish there had been more of Brad Pitt’s stoner Floyd, and I thought Gandolfini was excellent here – the scene with him and Arquette was fantastic, too. The film was fast, unusual (though nothing not seen before), and came together very well. Tarantino really is a masterful storyteller. Arquette and Slater also worked wonders together, playing off each other, and you could buy into their loopy little relationship, purely because it seemed to work so well for them. True Romance is a fantastical tale that is entertaining and endearing at the same time, smart and witty, and is well worth a watch should you ever come across it. It definitely won’t be a waste of your time.

Rapid Review: Batman Begins (2005)

Batman Begins Poster

“There is nothing to fear, but fear itself!”
– Scarecrow

SYNOPSIS: After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it. – via IMDB

batmanbatman begins lighter

GRADE 9The movie was simply amazing, with great cinematography as well as a brilliant score. This is one of my favourite origin stories, if not my most favourite. I know they have been done to death, but let’s face it, not quite the way that Nolan has done it. The man is a master, and he revolutionized the way we perceived the Batman films after they were butchered by Joel Schumacher. Nolan’s casting choices were dead on. Michael Caine is a perfect Alfred and Gary Oldman’s Jim Gordon is a solid, trusty character. Christian Bale is my favourite Batman because he manages to pull of both Bruce Wayne and the caped crusader, which is something a lot of actors fail to do. ore often than not in superhero movies the actor can either pull off his identity or the alter ego, but so few times are they a success at both. He is pitted against the awesome Scarecrow, and Cillian Murphy was freaking perfect here, he plays the role so well. You cannot forget about Liam Neeson’s Ra’s al Ghul because he was truly a formidable enemy to have. Morgan Freeman’s Lucius Fox is a character that I thoroughly enjoy. The confused love story between Bruce and Rachel is very sad, too. Never overplayed, never not there. I think that the humour that is put forth in this movie is exactly what it has to be: not enough to make it a comedy, but not so greatly lacking that there is nothing but insurmountable drama. The humour that is laced throughout this is hilarious and gets me giggling good and proper, which is fun. The plot is put together well, and manages to stand on its own, and is definitely more than your average hollow action flick. If you have not watched it, where have you been?! For those who have watched it, watch it again and again! A Christopher Nolan Batman marathon is worth it each and every time. The length of the movie was just right, with plenty time to tell us Bruce’s story as well as take us through the motions of becoming the Batman. It did not feel long or dragged out anywhere, so well done! There is so much great stuff going on for this movie, from the awesome score from Hans Zimmer, to the great performances from the cast, a fantastic story and plenty action that looked fantastic… you can’t help but love this movie!

Rapid Review: Interstellar (2014)

interstellar poster

“We used to look up at the sky and wonder at our place in the stars, now we just look down and worry about our place in the dirt.”
– Cooper

SYNOPSIS: In the near future Earth has been devastated by drought and famine, causing a scarcity in food and extreme changes in climate. When humanity is facing extinction, a mysterious rip in the space-time continuum is discovered, giving mankind the opportunity to widen their lifespan. A group of explorers must travel beyond our solar system in search of a planet that can sustain life. The crew of the Endurance are required to think bigger and go further than any human in history as they embark on an interstellar voyage, into the unknown. Coop, the pilot of the Endurance, must decide between seeing his children again and the future of the human race.- via IMDB


GRADE 8.5This has, undoubtedly, been my most anticipated movie of 2014. I have talked my other half’s ear off about how I cannot wait for it, so naturally I had to go the minute it pitched up here. I was not going to waste a second of my time waiting to get to it seeing how Gone Girl aired for only thirteen days in my useless cinema. If I missed this, someone was going to burn. So, what with all my excitement and anticipation, how did it stack up? I must say that I was extremely impressed. Visually it was absolutely gorgeous, though I didn’t expect anything less on that front. A solid cast carried this story for us, and I thought the performances were great all round. Initially I was not over the moon to see Anne Hathaway in such a large role for it, but she managed to not irritate me to the end. I was thrilled to see Matt Damon, I do so thoroughly enjoy the man, and McConaughey was fantastic as the lead, Cooper. The casting of the actors to play the children (Mackenzie Foy and Timothée Chalamet) was wonderful, and I was especially pleased to see Jessica Chastain and Casey Affleck play their grown counterparts. They fit the bill and were realistic and believable. I know that some people have complained about the dialogue being clunky, and also silly at times with explanations (such as explaining to an astronaut about a black hole in space), but I did not find this to be the case. I enjoyed most of their conversations (though at times it did get a little convoluted), and I was grateful for the explanations sprinkled throughout the movie, and the way it was done. It did not feel like Nolan was treating the cinema-goers like idiots, but rather just ensuring we were all on the same page, and I appreciated that. Naturally Hans Zimmer created a fantastic score to accompany the film, building up tension and emotion in all the right places, and coming in as nothing short of complementary. Interstellar manages to recreate some exceptionally sad emotional scenes, many of them stemming from the tapes that the astronauts are receiving from home in space. There was some humour in this film, which was lovely, but was certainly focused more on the dramatic aspect. I thought the multi-purpose robots were extremely cool, and I felt for Cooper, trying to be the best dad that he could. John Lithgow, as always, plays a wonderful fatherly/grandfatherly figure, and I always like seeing him, no matter how small his part. I do feel that Michael Caine could have been used more, but I understand that there were a lot of characters and time constraints. Interstellar is a long movie, but it is certainly a wonderful journey, even with the flaws that it has – as much as I have sung the praises, there are things that fall a little short of the mark, but were definitely not enough to cripple and ruin this movie for me. Interstellar was well worth the wait, in my opinion, and is a really good movie overall – most importantly, it is an experience. Christopher Nolan has, once again, delivered another stunning film, though this will certainly not be in a high running for taking over and outranking some of his other works.

Review: Man of Steel (2013)


“I have journeyed across an ocean of stars to reach here. Your world has sheltered one of my citizens. He will look like you, but he is not one of you.”
– General Zod

The planet Krypton is falling apart, its inhabitants having exhausted its core and killing it all off. Scientist Jor-El (Russell Crowe) and his wife, Lara (Ayelet Zurer) have birthed the first natural birth the planet has seen in centuries. Kal-El is seen as the planet’s hope, and Jor-El is intent on convincing the Kryptonian council that the codex need to be sent out to preserve the Kryptonian race. However, General Zod (Michael Shannon) has staged a coup to extinguish all the bloodlines he feels are responsible for their planet’s demise. His faithful followers are caught and sentenced, though Jor-El has fallen, and Kal-El has been sent to Earth with the codex.

“No matter how violent, every action I take is for the greater good of my people.” – General Zod

Clark Kent (Henry Cavill) is a young man running from his destiny – from his life. He has spent his entire life hiding who he is at the behest of his father, Jonathan Kent (Kevin Costner), not believing that the world is ready from him. He and Martha (Diane Lane) found Clark as a baby and adopted him. Jonathan taught Clark how to control his superhuman powers he has gained on Earth, and tells him where he is really from. Clark’s insistence on helping people with his powers has caused that he needs to run – people cannot know who he is. While on the run, reporter Lois Lane (Amy Adams) discovers Clark, who is on a mission to find out more about his people and where he is truly from. Clark meets his biological father, Jor-El, and learns of Krypton’s destruction and how he is the last hope. Lois is intent on spreading the story on alien life after Clark saves her life, but her boss and editor at the Daily Planet, Perry White (Laurence Fishburn), refuses to publish it. Lois will not let it go but changes her mind after tracking Martha and Clark down, and hearing the reason for his secrecy.

Discovering the truth about your origins can be empowering

However, Zod and his followers have escaped the Phantom Zone, and track Clark down on Earth. They inform Earth that they are housing a fugitive, and insist that they turn him over or their planet will be eradicated. Clark is torn between turning himself in (knowing that he cannot trust Zod) and trusting the humans on Earth to do the right thing. Clark chooses to trust the people, and hands himself over to the United States military. They are both threatened and in awe of the powerful being. Zod’s second in command, Faora-Ul (Antje Traue), takes Lois as well as Clark to her general. Zod insists that Clark join them, and when Clark turns him down he is agitated. All hell breaks loose.

“My father believed that if the world found out who I really was, they’d reject me… out of fear.” – Clark Kent

Will Clark be able to neutralize General Zod and protect the inhabitants or Earth? Though he knows nothing of the codex, will he be able to keep it from the superhuman beings and maintain his identity? Will he be able to fight off the last remaining members of his extinct race?


Man of Steel merits a 7/10. I thought about this for a while, but I think that the score is fair and deserving. Yep, I know I am late to the Superman party, but we got it late. Michael Shannon was an absolute joy to watch as the hardcore General Zod, and the Kryptonians had such phenomenal costumes. They just looked brutal. The opening sequence of Krypton and its demise was so well rendered, and it was breathtaking to watch. Russell Crowe was a great good Jor-EL, and Kevin Costner impressed me as Jonathan Kent. Diane Lane was also lovely as his mother. Hans Zimmer again delivered a stunning score, and Man of Steel was visually stunning to look at, though I see why people say that there was an overload of CGI. The destruction was just a tiny bit much for me, but in a way I guess foreign life coming to Earth did not mean they were going to give a toot about damage totals. Henry Cavill is simply a great Clark Kent and Superman, so kudos for that. He was really compelling to watch, charming and the complete embodiment of what Clark Kent should be. I do feel though that there were so many intense action scenes to mask that there was not as deep and in depth a story as you would expect, but the action and fighting keeps you from getting too close to that. The revamping of the Superman outfit was truly fantastical, and long overdue. That cape just thrilled me (yes, again me and the cape). The kids that were chosen to play Clark over the years were so cool as they really looked like they could have been Cavill at a younger age. Amy Adams was well cast, but sometimes I think she is too cute for the role of someone so gritty, though she made it work here. What I appreciated about this film was that it had a darker tone, though there was still some humour. I like some humour in this type of thing, but I feel it is far better with a bit more brooding, which they nailed here. It gives it a sense of realism, not total cheese. Overall, one of the best DC comic book films in many years, and it was epic, though not as wonderful and wow as I would have hoped – I was holding out for my new Dark Knight. Christopher Nolan set a whole new bar for the genre with his Dark Knight trilogy.