“You exist to continue your existence. What’s the point?” – Mary
SYNOPSIS: In a fascist future where all forms of feeling are illegal, a man in charge of enforcing the law rises to overthrow the system. – via IMDB
I haven’t seen this since I was a kid, and I have been meaning to rewatch it for ages now as I quite enjoyed it then and wanted to see how it held up after all these years. Recently I did so and my husband joined me, as he had not seen it. Well, in short, it is still good, though there are some things that I do take issue with.
First and foremost, the story is interesting. Nothing really new, and has pieces that distinctly feel like they are in line with concept of The Matrix, and it is very heavy handed with its message at times. That being said, it is an enjoyable watch if you don’t overthink it or watch Diggs’s performance too closely, because that it probably the biggest drawback of the movie. He is terrible, and my husband had severe beef with how cheery he seemed and smiley, especially if he was supposed to be hopped up on as much Prozium as his counterparts. Also, I get that Bale started feeling, but his character fell apart so violently at times that it was impossible to suspend belief that this futuristic regime would not notice their top cleric going to pieces as he was.
I did like the revolution that was being planned to revert back to the core of what people are, and to see how books and music and little things have been banned in this future world is heavy. Granted, you might be rid of war this way, but you have also lost the core of what it means to be a human, to feel, to have free will. I did like the colours that were used, and Preston’s clothes colours demarcating who he was and what he felt ultimately were good. I do enjoy imagery like that in movies. The costume design for this was also really good, and suited the tone and style of the movie.
The action sequences were fun, too, as is expected from an action movie, and they are choreographed well. I see that this movie gets quite a bit of hate, which I don’t get. It looks pretty good and has a solid story and comes together quite well. It is flawed, yes, but then just about every movie out there is. Go in for an action film with more story than most, and you will be in for a pretty good time. Equilibrium is well worth your time I would say.
“I’m gonna have to science the shit out of this.” – Mark Watney
SYNOPSIS: During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. – via IMDB
This was something I was looking forward to seeing because, well, Matt Damon. Yep, I will watch the man anywhere. Knowing it was a Ridley Scott film, I was tentative (come on, Exodus is still way too fresh in our minds to dismiss). He can either be brilliant or he can really suck. But back to space? Sure. Right off the bat, my fiancé was not a happy camper by the time this was over. While he said it was good, he was hoping for something more like Interstellar or Alien, and he got neither, but this does not mean the movie was crappy, it’s just not something he is going to rush again. I know there are a few people that feel that way. So, for me, the movie really isn’t bad. I was entertained and there was a lot to like, even with the shortcomings of it. However, I certainly don’t feel that the movie is worth all the hype that is running rampant about it, truly. I was a huge fan of Matt Damon in this, he just totally owned that role of Mark Watney, and he was geeky, nerdy, hilarious and resourceful, and he was entertaining every second he was on screen (not that I expected any less). Also, let’s not forget Sebastian Stan in 3D, something I can always easily get on board with because so much deliciousness there – but I totally could have done with more of him on screen. I loved the science side of the movie, and how it came together. I was a huge fan of the Lord of the Rings reference in the movie because a) Lord of the Rings and b) Sean Bean was present for the whole thing! I thought seeing the multiple uses of duct tape to be fabulous and provided me with plenty laughs, and the disco music Watney was subjected to? Priceless, and made for a hilarious soundtrack to the film. The film is visually stunning, and I was mesmerised from the off by it. All of this, however, does not make a great movie, there were some things I took issue with. The biggest flaw of this movie is the fact that everything happening on Mars is fascinating and engrossing, but the Earth element just does not measure up and falls short in too many places. Let’s not forget the silliness that was Rich Purnell, and no, I do not say that in an endearing way. The character was annoying to the nth degree, and made me cringe. Not to mention the movie was filled with things slotting into place at just the right moment, and information coming to the fore at just the right time, which made it a little too convenient for me to fully buy into. I found Watney’s crew to be incredibly underutilised – come on, they could have been more present, Chastain was criminally underused here. Some of the zero gravity movement looked a bit stiff for me, and I was incredibly unimpressed with the way that Watney loses all that weight as he stays on Mars, and a body double was used to represent this, yet the moment he is back in his (skintight) suit, he is all buff again. The script and pacing was all over the show, as well, and I thought it lacked inventiveness. Despite all this, The Martian is shot wonderfully, showcases a solid return to form for Scott, and is worth a watch at least once even though it is riddled with some silly faults.
Synopsis:Eddard “Ned” Stark (Sean Bean) beheads a deserter of the Night’s Watch in Winterfell, of which he is Lord. The deserter claims that though he is a coward, he knows that he saw the White Walkers. His claims are dismissed. Ned returns to his home with his bastard son, Jon Snow (Kit Harington), and his legitimate sons Brandon (Isaac Hempstead-Wright) and his eldest, Robb (Richard Madden). Along the way they come across a ravaged carcass, and find five dire wolf pups. Being the sidgel of the Stark house, Ned gives one to each of his child. King of the Seven Kingdoms of Westeros, Robert Baratheon (Mark Addy) travels with his wife, Queen Cersei Lannister (Lena Headey), to Winterfell, where he wishes to request Ned’s acceptance of the appointment of the King’s Hand. They also discuss marrying his son, Joffrey (Jack Gleeson), and Ned’s daughter Sansa (Sophie Turner), with one another, joining the families properly now seeing as Lyanna died prior to her marriage to Robert. Brandon is climbing where he should not be, and witnesses Ser Jaime Lannister (Nikolaj Coster-Waldau), the Kingslayer, sleeping with Cersei, his twin sister. Pushing Brandon out of the window, they are both horrified to learn that the boy survives the fall. Jon Snow decides to join his uncle Benjen Stark (Joseph Mawle) at the Wall with the Night’s Watch, choosing a life of exile and celibacy to get away from Lady Catelyn (Michelle Fairley), Ned’s wife, who despises him. In Essos, Prince Viserys Targaryen (Harry Lloyd) weds his sister Daenerys (Emilia Clarke) to Dothraki warlord Khal Drogo (Jason Momoa), with the agreement that the Khal and his men assist him in reclaiming his stolen Iron Throne. They receive three dragon eggs that have turned to stone as a wedding gift.
Jaime sends in an assassin to kill Bran, who is saved by his dire wolf. Catelyn also receives word from her sister that the Lannister’s are not to be trusted. Ned has already started for King’s Landing, and along the way conflict arises between the Starks and the Lannisters when Arya’s dire wolf attacks Joffrey after he hits the butcher’s boy and threatens her. Sansa is called before the King and sides wth Joffrey. Ned is to kill Sansa’s dire wolf, seeing as someone has to pay for having wounded Joffrey. Tyrion Lannister (Peter Dinklage), the dwarf son of Lord Tywin Lannister (Charles Dance) and brother of Cersei, sets off to the Wall with Jon Snow and the Night’s Watch entourage as opposed to following his family back to King’s Landing. Daenerys has decided that she needs to find a way to please her husband, a way for their marriage to be a beautiful institution, not one of pain and suffering. Ned’s arrival in King’s Landing comes with a lot of issues. For one, it seems that Westeros is being exceptionally poorly managed. The King does not participate on anything on the Small Council, which comprises of Robert’s brother Lord Renly Baratheon (Gethin Anthony), Councillor Petyr “Littlefinger” Baelish (Aidan Gillen), Grand Maester Pycelle (Julian Glover), and Councillor Lord Varys (Conleth Hill). The Lannisters have the King in serious debt with them. Catelyn Stark has ridden to King’s Landing to warn her husband, but Baelish gets to her first, offering her safe passage and a meeting with her husband. He also confirms to her that the blade the potential assassin carried was very distinctive. It was his, though he lost it to Tyrion Lannister. Meeting with Ned, Catelyn shares her fears, though he tells her to do nothing but return home. Baelish promises Catelyn that he will help Ned, and Ned knows that Baelish is still in love with Catelyn. Jon Snow is having issues at the Wall, where he is treated indifferently to the rapists and murderers and thieves that train alongside him, his lineage means nothing to them. Watch Commander Lord Mormont (James Cosmo) is friendly with Tyrion, though Yoren (Francis Magee) speaks with Tyrion, asking him to get more men from the King and Queen to be sent to the Wall for training. Tyrion leaves with him to get more men for the Night’s Watch. Daenerys is becoming a true Khaleesi, and is very popular with the Khalasar. Viserys is getting very edgy about when they will cross the Narrow Sea to reclaim his Iron Throne.
Tyrion stops in Winterfell with a design to make it possible for Bran to ride a horse once again. Robb responds initially with distate and bitterness towards Tyrion, though later he attempts to be friendly. Tyrion does not care for it. Ned, meanwhile, is starting to look closely into the death of the previous Hand of the King, Jon Arryn, who died mysteriously. His quest takes him to the blacksmith’s worker, Gendry (Joe Dempsie), who is the illegitimate son of King Robert. Samwell Tarly (John Bradley) joins the Night’s Watch, and is pretty useless, though Jon takes him under his wing against his will. On the road home, Catelyn comes across Tyrion Lannister, and has him taken into custody by those who were loyal to her father. She sets of for the Eyrie, so see her sister Lady Lysa Arryn (Kate Dickie). The Small Council, however, has a meeting with King Robert, who has decided that Daenerys, now pregnant with Khal Drogo’s son, must be put to death. They cannot afford to have a son come into the world, a son that comes from the lineage of the Mad King (who had Ned’s father and brother killed), who will also head a powerful army. Ned refuses to participate in the slaughter of a young girl, and resigns as the King’s Hand, causing a huge upset between him and Robert. Tyrion, meanwhile, has been thrown into prison in Eyrie, and needs a way to get out. Ned learns that Catelyn has taken Tyrion prisoner. Jaime is angered by the news, and attacks Ned in the streets, killing his right hand man Jory Cassel (Jamie Sives) and the remainder of his guard, telling him that he wants his brother back. Jaime sets off to the Eyrie to recover his brother. Viserys is furious that his sister has such power over the Dothraki. Bran is captured by wildlings, and Robb comes to save him. When things do not go as planned, Robb has to relinquish his weapon to save Bran. Theon Greyjoy (Alfie Allen) kills the man, and they take Osha (Natalie Tena) into captivity. King Robert goes on a hunting trip, and Ned digs around some more. In his search he discovers that Joffrey is certainly not Robert’s son, but the child of Jaime and Cersei. He warns Cersei to get out of the city, to take her children and flee. She threatens Ned. Cersei has Joffrey apologise to Sansa, to ensure that his father passes the crown to him when the time comes. Meanwhile, Lord Renly has his lover, Ser Loras Tyrell (Finn Jones), convincing him that he has what it takes to be King. It seems that Tyrion will not be heard, and ultimately calls for trial by combat. Lysa chooses her champion, and Tyrion names Jaime his. When it is said that he will fight it out that day, he asks the onlookers for a champion. Eventually Bronn (Jerome Flynn) steps up for him, and wins, gaining Tyrion his freedom.
Viserys attempts to leave the Dothraki camp, sure he will never get the Iron Throne. Attempting to steal the dragon eggs to buy his army and passage over the water, he is prevented by Ser Jorah Mermont (Iain Glen), who will not let him leave. In a fit of rage, Viserys barges into some Dothraki celebrations, threatening to kill Drogo’s unborn son and his sister if he does not get what is owed to him. The Khal says that he will give Viserys the golden crown he so desires, and subsequently melts gold and pours it over his head, killing him. Daenerys is not too phased, believing that Viserys was not a true Targaryen if he burnt like he did, seeing as she herself does not burn. King Robert is gravely wounded by a boar while hunting, and is dying. Ned is to take over as the regent of the Iron Throne until Joffrey is of age to take charge. Knowing that Joffrey is not truly Robert’s son, as well as the knowledge he has of the many illigetimate children in the city, he phrases it that the heir must be of age before stepping up. Robert also tells Ned to call off the assassination attempt against Daenerys. Ned attempts to arrange with Baelish to get the City Watch to work with him and stop the Lannisters from taking the Throne when Robert dies. Renly approaches Ned to rally him to have him assist Renly in attaining the crown when Robert is gone. Ned insists that the next in line is Stannis Baratheon (Stephen Dillane), and sends word to Stannis that he should return to King’s Landing and take up his job. Jon Snow takes his Night’s Watch vows, though he is exceptionally worried about the fact that his uncle’s horse returned without him. He is furious that he has not been made a Ranger but instead Lord Commander Jeor Mormont’s personal assistant. After Jon and Sam take their vows, Sam notices that Ghost, Jon’s wolf, has a hand in his mouth. Corpses are brought back in, though Sam is suspicious that they don’t smell like anything, considering how long they have been out. In the middle of the night, Snow saves Lord Commander Jeor Mormontfrom a White Walker, one of the corpses reanimated itself. Lord Commander Jeor Mormont gives Snow a blade that has been in his family for a long time. Ned, however, receives a terrible shock when he gives Robert’s final words on and Cersei tears up the paper. The City Watch sides with the Lannisters, and Ned is taken prisoner and branded a traitor, conspiring to usurp the Throne from Joffrey. The City Watch goes after the Stark children, catching Sansa, though Arya manages to escape, though it cost her instructor, Syrio Forel (Miltos Yerolemou) his life.
News of Ned’s capture spreads across the lands, and Robb Stark begins to rally his father’s bannermen when Sansa writes to him, requesting that he go to King’s Landing and express his loyalty to King Joffrey. Sansa pleads with Joffrey to be merciful to her father, and Councillor Lord Varys visits with Ned in the dungeons. Joffrey wishes to hear Ned Stark admit that he is a traitor and attempted to usurp the Throne, and wants to hear him admit that Joffrey is the one true King, and will then be merciful. Sansa says that it shall be so. Robb leaves Winterfell, leaving Brandon in charge with the help of Maester Luwin (Donald Sumpter). Robb is prepared to go to war to get his sisters and father back. Lord Tywin Lannister is preparing for war due to the abduction of Tyrion, who returns to his father with Bronn at his side as well as a group of barbarians that assisted him escape from the Eyrie, protected. His father tells him he will fight in the upcoming battle against the Stark army. He has Bronn find him a woman, and is very taken with Shae (Sibel Kekilli), whom he returns with. Robb Stark needs to cross the River Trident via The Twins to launch an attack on the Lannisters, and eventually a deal is brokered that Arya will marry one of Walder Frey’s (David Bradley) sons and Robb one of the daughters. They get safe passage across the bridge. A Lannister scout is caught by Robb and his men, and Robb has him tell Tywin that they are marching twenty thousand men on them. Instead Robb sends two thousand men to Tywin and his armies, and the rest of them go and abduct Jaime, who offers to end the war right then and there by having him and Robb fight it out. Robb refuses, knowing that the kingslayer is too good. Khal Drogo has decided to give Daenerys the Iron Throne she desires, and they set off to cross the Narrow Sea to Westeros. Pillaging their way across, Daenerys is almost killed by an assassin at the behest of Robert, now dead. His informant spy is Ser Jorah Mermont, who has now turned into a loyal follower of Khaleesi, and he saves her. While in a city, Daenerys attempts to save the women from being raped, and one of the Khalasar riders fights with her. He takes the matter up with Khal Drogo, who sides with Daenerys. The rider is angry, and attempts to fight the Khal, though he loses and is killed. The Khal is cut, and the woman that Daenerys saved, a witch named Mirri Maz Duur (Mia Soteriou), says that she can help. The Khalasar doesn’t want to hear anything about a witch touching their Khal, but Daenerys has final say. Ned realises that to protect his children he is going to have to say the words that Joffrey wants to hear.
The wound that Khal Drogo sustained in his fight has festered and infected, weakening him greatly. The Khalasar refuses to follow a Khal who cannot ride, perceiving him as weak. Daenerys convinces them to stick around for a little longer. Calling Mirri Maz Duur in, she brokers a deal. The witch can perform magic, blood magic, to give the Khal life. Daenerys is desperate and says she will do whatever it takes. While the witch is busy, she goes into labour, and Ser Jorah Mermont brings her in and try to help her. Snow has received word of Ned’s predicament, the family’s predicament, and suddenly his vows are under pressure. He feels he must help, and a Targaryen reveals himself, the blind Maester Aemon (Peter Vaughan) at the Wall. Ned is brought before the King, and makes his false confession. Joffrey, saying that the mercy he should give Ned according to Cersei and Sanda, is the request of women, and orders Ned have his head cut off. There are heavy objections. Ned has signalled to Yoren to get Arya, who is watching. Cersei and Sansa are both horrified, but ultimately Ned is killed. Yoren grabs Arya, hacks off her hair, and passes her off as a boy. She is to leave the city with him to go to the Wall, where he will then have her sent to Winterfell. She meets up with Gendry here, and he sort of protects her. Robb and Catelyn are crushed by the news of Ned’s death, and Robb has become decidedly angry. His men proclaim him the King of the North, and are ready to follow him into battle and to die for him. Lord Tywin assigns Tyrion to act as Hand of the King in his stead to keep Joffrey and Cersei in line, knowing that executing Ned Stark was a big mistake. Snow attempts to leave anyway, though Sam, Grenn (Mark Stanley), and Pypar (Josef Atlin) bring him back in. Lord Commander Jeor Mormontis glad that Snow has returned, and says that they are to rally together and go out beyond the Wall. Brandon is still suffering from his strange dreams involving the three eyed crow, and he and his little brother know of Ned’s death before it is properly announced to them. Daenerys awakens, and is crushed to learn that her child was stillborn and monstrous. She curses the witch, but wants to know that the life of her son has bought her. She finds a zombified Drogo, and is crushed. He is alive, but not living. The Khalasar has left. She has the witch tied to Drogo’s funeral pyre, and frees the remaining slaves. If they stay, they will be cared for, if they leave, they are welcome to it. She places the three dragon eggs on the pyre, with Ser Jorah Mermont objecting, saying that Drogo will not need them. He is horrified when Daenerys, too, steps into the flames. The next morning, however, when the sun rises, Daenerys is fine, and she has three live dragons with her.
Best Episode: Fire and Blood
Worst Episode: You Win or You Die
Rating: This is definitely one of the better shows out there. This was something that came in and surprised the hell out of me the first time I came across it. I knew that the show was highly anticipated and I knew that it was really well received. Soon I would figure out why. Meeting the Starks was interesting, watching how their ties to many people spread across Westeros was cool, too, as well as how they seemed to tie in to Robert Boratheon. The characters were also worth watching here, though my favourite without a doubt is Tyrion Lannister. Peter Dinklage really was the best man for the job, and he seems to be the one man who is not like his family, who is far more objective, and who does not seem to make his life fantastic by killing off others, crushing them or anything like that. Eddard Stark is an honourable man, and that is something that never wavers throughout the show, and I appreciate it. Then there is Robb Stark, who rose up to rescue his father, to stop a war, and instead rode for a war due to his mother’s rash decision to avenge Brandon’s severe injuries. Meeting Khal Drogo was intense, and I think that Jason Momoa was perfect to play him. I mean that guy was big, and just watching him with Daenerys initially pissed me off. What her brother did was reprehensible, just giving her away, and the things that she endured. However, watching the romance blossom between Daenerys and Drogo was rewarding, and how she became his absolute everything, not just the woman he wed and beds when needs be. They developed a seriously deep bond with each other. Jon Snow is someone I feel really sorry for, I feel that Catelyn is truly excessively nasty to him. I think it is adorable to watch him with the other Stark kids, they are close to each other. Arya is also a character that I enjoy. She is who she wants to be all the time, and will not conform to society’s expectations of her, though it seems inevitable. I thought it was adorable that Ned humoured her and got her “dancing” lessons, in which time she learns a lot. Then there is Sansa, who irritates me endlessly because she is a whiny, selfish little bitch. But whatever. Shall we move on and talk about the most beloved Joffrey? You know, Jack Gleeson did a damn fine job of embodying this character, he really is a detestable little twit. He is cruel, he is a sissy, he is weak, arrogant, selfish… actually you know what? Let’s not spend too much time focusing on him. I really appreciated how his spiral in cruelty and nastiness was a gradual one, the path paved with small indecencies that ultimately led to him becoming one of the most hated characters in TV history. Then there are these Lannisters. Damn. They are everywhere, and I think that what is going on between Cersei and Jaime is really despicable. Jaime, however, for all his faults, is really good at his fighting skills and scheming and entertaining. This show introduces a massive array of characters, and manages to play with all of them, though not all of them are developed. Some are developed more, others are there to convey the story. The costume design for this show is fantastic, and the way it is shot is great, too. It looks really good. I liked the score, it was pretty epic and carried the show. The one thing that is insanely long on one hand but really cool on the other hand is the intro. The length is excessive, though it is also really cool to see Westeros pulled up the way it is, giving us an idea of how vast the land is that it is played down in. Overall, there is a lot to say about this show, but let’s just settle for this is something that definitely needs to be seen.
“Back from the dead. No longer just an anonymous star on the memorial wall at MI6. What’s the matter, James? No glib remark? No pithy comeback?” – Alec Trevelyan
MI6 00 agents James Bond (Pierce Brosnan) and Alec Trevelyan (Sean Bean) are on a mission to infiltrate a Soviet chemical weapons facility where everything goes wrong. Alec is captured and executed by Colonel Arkandy Ourumov (Gottfried John), while Bond makes a wild escape as the facility explodes. Many years later, Bond is being assessed, and follows Xenia Onatopp (Famke Janssen). She is suspected to have ties to the Janus crime syndicate, and Bond needs to figure out the involvement and the extent as to what they are up to. After she murders an admiral, now General Ourumov takes over his identity. They hijack a prototype helicopter that can withstand an electromagnetic pulse and go to Severnaya. There they steal the control disks for the GoldenEye satellite weapons. Everyone at the facility is murdered, save one woman who makes it out, programmer Natalya Simonova (Izabella Scorupco), and Boris Grishenko (Alan Cumming), another programmer who must be the insider that helped Ourumov and Onatopp out. They activate a GoldenEye satellite, and the weapon destroys the entire bunker.
M and Bond see the desecration of the Severnaya bunker, and Bond goes out to see what is happening. Natalya is unaware of Boris’s hand in the destruction of the bunker, and goes to meet with him in St Petersburg. Instead, he betrays her, and she is taken hostage by Janus. Bond’s new CIA contact is Jack Wade (Joe Don Baker), who is also on the GoldenEye mission, and at first they do not seem to get along. Bond wants a meeting with Janus, and only Russian Mafia head Valentin Zukovsky (Robbie Coltrane) can help him out with it. However, the two have a history, and Zukovsky is not overly thrilled to see Bond turn up to meet him. Bond is granted his meeting, however, but is horrified to discover that Janus is actually his “deceased” friend, Alec Trevelyan. He is a Cossack clan descendant, and still has it out for the British Government for their involvement in his parents’ death – the Cossacks were clans that worked with Nazi forces and the British turned them back in to Stalin, and they were killed. Bond is taken hostage.
Naturally, a whole lot of bad decisions and situations and escapes ensue, and Bond becomes rather close with Natalya, who offers boundless assistance in helping him out. Everyone still has no idea who stole the GoldenEye controller, Dimitri Mishkin (Tchéky Karyo), the Russian Minister of Defence, captured Natalya and Bond, convinced that Bond is a rogue agent and a thief. Natalya drops the bomb that Ourumov is responsible for the destruction of the bunker and the murders of all the people. Ourumov turns up at that moment and executes a guard and Mishkin with Bond’s gun. Natalya is captured by Alec again, and Bond needs to get to her.
When Alec reveals his master plan of robbing a bank and using the EMP to mask the crime as well as cripple Britain’s economy, Bond needs to save Natalya. The two spar as always. Will Bond be able to save the girl as well as take down Alec? Will he be able to get over his personal feelings of betrayal and operate like the agent he was trained to be? Despite all his talk of having to stay cold and disconnected, is it really that simple? Will Bond be able to continue avoiding Onatopp’s attempts to kill him?
A 6.5/10 for GoldenEye. Definitely not the most solid way to enter the realm of Bond, but Pierce Brosnan isn’t bad, though it seems to linger in the uncomfortable place of being between a serious Bond like Dalton and a corny one like Connery/Moore. I am just so glad to be over Moore, I will take anything. I thought that with the cast that they had, the movie would have been more wow, if you know what I mean. Not a terrible movie, just not the biggest bang to come back with after all the court cases and what not. I thought Sean Bean was great for his role, though, as always, he is a walking spoiler. I thought Alan Cumming’s character was good, though his talents were grossly underused. Famke Janssen’s character was just too damned weird, and the sounds? Eeek. The story that they had could truly have been a lot more solid. I really liked the tank chase, though. I was incredibly impressed to finally see Judi Dench step into the role as M, and had to laugh a little at how the boys franchise suddenly had to make way for a woman, and learn to respect her. The whole scene where she explained to Bond that he was an antiquated dinosaur cracked me up. There alone they highlighted moving into a new era, and how everyone felt about it. Well done. Desmond Llewelyn is still hanging on as Q, which is good to see someone is still there so far along in the show. Not a bad film in terms of Bond, just not the most solid way to introduce a new Bond, sadly, and I felt that there was not really enough to genuinely captivate my attention wholly.